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SUMMER
READING EXPERIENCE: A
JOURNEY
This
summer’s reading experience examines the important role journeys play
in the development of the individual throughout life. Through our
many journeys we come to know and understand ourselves and others by
the way in which we reflect upon and react to our journeying
experiences.
This summer you
will be asked to strengthen your reading and reflecting skills by
reading, engaging, and reflecting upon a multimedia package
centered on the theme of journeys. We hope this experience will be
both enjoyable and informative.
Your
multimedia package will include the following:
1.
One text which the entire school will read. The text that has been
chosen by the Summer Book Reading Committee is
Randy
Pausch’s
The Last Lecture.
(UPDATE: Please keep Randy Pausch along with his family and
friends in your prayers. Dr. Pausch died on July 24th at the age of
47.)
2.
An
interactive journal that will be maintained with The Last
Lecture (The interactive journal is required for this text
only. All other works included in the multimedia package will have
completed worksheets requirements) and that will be handed in to your
homeroom teacher on the first full day that all students return to
school in the fall. (Instructions about the Evaluation process and
the journal requirements are attached and are on the school website)
3.
A
second text which you will have the option to select from the attached
choice list.
4.
A
film that you select to view and reflect upon from the attached list
of recommended films that examine a variety of journeys.
5.
A
work of art that you can select to view and reflect upon from the
recommended art work found at these selected websites (attached).
6.
A
song of your choosing that you see as being related to the theme of
Journey.
7.
A
package of short work sheets for items 2-6 that will help with the
reflection/engagement process and which must also be handed in on the
first full day that all students return to school in the fall
(Instructions about the Evaluation process and the work sheet
requirements are on the school website)
A GOOD READER’S
FRAMEWORK
Like writing,
reading is a recursive activity. Students make progress unevenly.
Students may read several paragraphs and/or chapters with insight and
understanding and then they come to a tougher section where they might
decode words without understanding or without their having any insight
about what it is they have read. Therefore, it is helpful if teachers
can help students by giving them a process framework with which they
can help students strengthen their reading capacity.
The layout of
the Dialogue Journal that follows, which students will use to interact
with the assigned summer reading text for the whole school, will
provide students with a process for skill building that follow the
framework outlined below.
- Good
readers pause occasionally to take stock of (summarize, paraphrase)
what it is they have read.
- Good
readers create pictures and images in their heads about what it is
they have read.
- Good
readers enter the text by asking question: Who? Why? What? How?
When? Where? Etc.
- Good
readers cite specific details from the text to support their ideas
about the text.
- Good
readers (and reflectors) make reasonable predictions and
inferences based upon what they have read.
- Good
readers link ideas, themes and characters from one text with ideas,
themes and characters from another text or another media form (e.g.
art, film, drama, etc).
The Dialogue Journal
A Dialogue
Journal enables you, the reader, to respond to an article, book or
other piece of writing in a personal and analytical way. Furthermore,
it forces you to pause and reflect on what the author has
communicated, thereby strengthening your reading comprehension
ability. This is what good readers do naturally.
Directions:
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Draw a real or
an imaginary line down the middle of each page in your journal.
Label the left-hand side of the page, What the Book Says, and
the right-hand side of the page, What I Say.
-
Use the
left-hand side of the page to record something from the book that
interests you or that puzzles you. Copy the passage exactly as it
is written. You may use ellipses (…) if the passage is very long.
Remember to write the page number in parentheses after each
passage. Using some of the attached questioning and/or interactive
reading strategies, use the right-hand side of the page to respond
to your selected passage. This will indicate your feelings about
the passage. Then write a more analytical response to the passage.
To do this, closely examine the text and briefly write about it
insightfully. (See the example of a Dialogue Journal entry below.)
Remember to respond with clear and complete sentences.
Below is a
sample Dialogue Journal that a student wrote to John Howard Griffin’s
Black Like Me:
What
the Book Says What I Say
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“It was
unlike anything I had imagined. I became two men, the observing
one and the one who panicked, who felt Negroid even into the
depths of his entrails. I felt the beginnings of great
loneliness…I tampered with the mystery of existence and I lost the
sense of my own being.” (16)
“Here hips,
drew the eye and flirted with the eye and caused the eye to lust
or laugh. It was better to look at hips than at the ghetto.”
(22)
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This is
Griffin’s first experience as a Negro. The change for him seemed
traumatic but he knew he had to adjust to it. It must have been
frightening because it was like losing all of his security and
self-confidence. He did not know the self he was as a Negro. It
was an identity he could not recognize.
I liked the
use of repetitive words. Also it describes one of
Griffin’s
opinions about the ghetto and how he’s trying to adjust. |
Brandvik, Mary Lou. Writing Process Activities Kit.
West Nyack,
N.Y: The Center For Applied Research Education, 1990.
Suggestions for Journal Entries
1. Ask yourself questions about the characters and the action. Begin a journal entry with,
“I don’t understand why …” or “I was surprised when…” or “I’m confused about…”
2. Imagine that you are speaking to the writer. What do you like/dislike about the book?
For example, were you satisfied by the ending? Disappointed? How would you have liked to see the book end?
3. What is the most memorable scene in the book and why?
4. What quotation stands out in your mind and why?
(First note the context of the quotation—when or where it happened, and the speaker.)
5. How does the book’s structure (how it is put together) contribute to the theme of a journey?
Look especially at the beginning and the ending as well as major divisions.
6. Do any unusual techniques help you understand the book?
Are certain actions, imagery, or phrases repeated? Write down words, phrases, or details that strike you.
Why did you notice them? Why do think they are there?
7. From whose point of view is the story told? How does this influence your knowledge of what happens?
How does it influence your sympathy for certain characters?
8. What effect does setting(s) have on the characters? Consider both place and time period.
9. Did you ever question a character’s motivation for his/her actions? When? Why?
10. Which character is the hardest to understand and why?
11. How does the title reflect upon character, conflict, and theme? What else might it suggest?
12. Can you empathize with a particular character? Why?
13. Did you personally connect with this book for some reason? What does it make you think about?
SUMMER READING
RUBRIC EVALUATION
|
CRITERIA |
EXCELLENT
(10 extra
value points to final exam evaluation) |
SATISFACTORY
(5 extra
value points to final exam evaluation) |
UNSATISFACTORY
(No extra
points towards final exam evaluation) |
|
Journal
Entries |
Minimum of 25
entries. Entries taken from across the entire spectrum of the
book. Entries are clearly annotated by chapter and page #. |
15-20 entries
from across the spectrum of the book. Entries are clearly
annotated by chapter and page #. |
A few
sporadic entries; not clearly annotated and not taken from full
spectrum of the book. |
|
Quality of
Entry
Appearance |
Students
arrange the text references on the left hand side of the paper.
References are clearly annotated.
Interactive
Engagement with the Entry is written legibly on the right hand
side of the page. |
Not all
references are clearly annotated. Text reference and personal
engagement response are not neatly aligned. Writing is hard to
discern. |
Little
attention is paid to journal organization. |
|
Quality of
Entry
Engagement |
Journal
Questions are varied and insightful; personal responses reflect
rich understanding of the text; journal entries reflect strong
capability for summarizing, inferring, supporting, and linking key
ideas from the text to personal experience and relevant knowledge. |
Journal
Questions are sufficient, varied and reflect adequate
understanding of the text; journal entries suggest some capability
for summarizing, supporting, etc. |
Journal
Questions are repetitive; entries are frequently brief and
superficial. |
|
Worksheets
for 2nd text, film, art, music |
All sheets
are complete, comprehensive, and provide exceptional insight about
the characters and the ideas exhibited in the work. Articulates
well the theme of journey in the selected multimedia form. |
All sheets
are satisfactory; demonstrate an acceptable awareness about and
engagement with the assigned multimedia form and its relation to
the journey theme. |
Sheets are
incomplete and/or exhibit little engagement and/or inconsistent
engagement with all the assigned multimedia forms. |
N.B. Grades
earned for the multimedia package (Excellent, Satisfactory, or
Unsatisfactory) will be indicated on the report card. Students who
receive an unsatisfactory will have a short period of time to redo the
assignment for an upgrade. Students who receive an excellent
commendation will have 10 points added to the “5th” quarter
or final assessment cumulative point total in English prior to
determining the final average to appear on the report card in June.
Students who receive a satisfactory commendation will have 5 points
added to the cumulative point total in English, and students with an
unsatisfactory grade will not receive any extra points.
Suggested
List--Summer Reading 2008--Journeys
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Angela’s Ashes-
Frank McCourt
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As I Lay Dying-
William Faulkner*
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For One More Day-
Mitch Albom
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In the Heart of the Sea-
Nathaniel Philbrick
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Just Who Will You Be-
Maria Shriver
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King Lear-
William Shakespeare*
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Speak-
Laurie Halse Anderson
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The Count of Monte Cristo-
Alexandre Dumas
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The Odyssey-
Homer
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The Secret Life of Bees-
Sue Monk Kidd
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Their Eyes Were Watching God-
Zora Neale Hurston*
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Two Old Women-
Velma Wallis
*Required reading for AP English students
Films for Summer Reading Experience:
NOTE TO PARENTS:
Several of the films listed below have an R rating due to
their language, violence, and/or mature subject matter. We do feel
that the subject matter of these movies is important enough to warrant
their placement on this list. We do, however, want to inform you of
the rating and suggest that if your student would like to choose one
of these films - please consider watching it with them.
Students should
watch one of the following films and answer the questions on the
accompanying worksheet.
FILMS (Ratings):
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1.
Amistad (R) |
12.
Master and Commander (PG13) |
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2.
Akeelah and the Bee (PG) |
13.
Monty Python and the Holy Grail (PG) |
|
3.
Apollo 13 (PG) |
14. My
Dog Skip (PG) |
|
4.
Dances with Wolves (PG13) |
15.
Nim’s
Island
(PG) |
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5. The
Endurance (G) |
16.
Planes, Trains, and Automobiles (R) |
|
6.
Forrest Gump (PG13) |
17.
Rain Man (R) |
|
7.
Glory Road
(PG) |
18.
Rudy (PG) |
|
8. The
Goonies (TV14) |
19.
Sisterhood of the Traveling Pants (PG) |
|
9.
Gridiron Gang (PG13) |
20.
Smoke Signals (PG13) |
|
10.
Homeward Bound (G) |
21. The
Wizard of Oz (PG) |
|
11.
Hotel Rwanda (PG13) |
22. Any of
the Narnia movies (PG) |
Journey Artworks
Look over the
artworks here and choose one that speaks to you- there are paintings,
illustrations, prints, industrial design and sculpture. Be sure to
look at all of them before making your choice. Notice there are 2
images for some of the artworks.
After you have
chosen the artwork, spend at least one minute really looking at it
before you begin to write. Answer the first two questions that apply
to all the artworks, and then answer the specific questions for the
artwork you have chosen
For all artwork-
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Identify the
art work- Title, artist, year
-
After you have
spent a full minute just looking at the artwork to see all the
details, take an inventory and describe EVERYTHING you see in the
image in as much detail as you can.
Specific
Questions by artwork-
answer in 1-2 well developed paragraphs.
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The Knight, Death and the Devil,
Albrecht Durer, 1513
In addition to
the three named characters in the title, there are several other
creatures. Choose one of them and explain how they are participating
in the journey and what Durer may be saying about them.
How does the
knight appear to feel about his scary companions on his journey?
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The Journey of Life- Youth
and
Old Age,
by Thomas Cole, 1840-
Note- Look at both paintings to answer the questions.
Look at the two
different images- (they are part of a series of four.) Describe the
differences between the two stages of the man’s journey giving
examples from what you see in each. What is different in the
relationship between the man in the boat and the figure in white in
the two paintings? What is different about the environment he is
sailing toward?
-
Fur Traders Descending the Mississippi,
George Caleb Bingham, 1845
We know the
profession of these people based on the title. What kind of lifestyle
do you think they lead? Where might they be going? As they look out
of the painting at us- the viewers on the shore- what do they think
about us?
-
The Third Class Carriage,
Honore Daumier, 1863
The part of the
carriage shown is the third class. Describe what you see to be the
difference between the people facing us and the people who are seated
behind them in the higher priced seats. What types of people are in
the two different parts of the train and what might Daumier be saying
about them?
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Liberty Enlightening the World,
Frederic Auguste Bartholdi and Alexandre Gustave Eiffel, 1886 (2nd
image)
How does this
figure communicate the idea of “Liberty”- what does she hold in her
hands and why, how is she posed? How does its location communicate
that idea to immigrants who have and continue to pass through New York
coming to America?
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Broadway Boogie Woogie,
Piet Mondrian, 1943
The title of
this painting refers to Broadway, a famous street in New York City and
“boogie woogie” a style of rhythmic, danceable swing music that was
popular in the 1940’s. What about the painting reminds you of a busy
and lively city? What about the painting reminds you of music? For
both questions, refer to specific things you observe in the painting.
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Reptiles,
M.C. Escher, 1943
Write the story
of the reptile’s journey from the point of view of the lizard
re-entering the “flat” world of the paper. What was his struggle and
how did he get to the end of the journey? What do you think happens
next to all the reptiles behind him? What is Escher saying about the
journey of life that these creatures are taking?
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Going and Coming;
Norman Rockwell, 1947
What can you
describe about the type of journey these people are taking?
What took place
in the time period between the top frame and the bottom frame, based
on your observations? Use your imagination to describe the day.
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Cadillac Cyclone,
1959 (2nd
image)
What kinds of
journeys do you imagine the designers of this vehicle imagined it
would take? What technology could have influenced the design of this
concept car? What kind of vehicle does it remind you of? Explain
your answer.
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The Gates;
Christo and Jean Claude, 2005 (2nd
image)
The Gates
was an art installation in New York City’s Central Park. It covered
23 miles of walkways throughout the park and was open for only 16 days
in February before it was taken down and all the materials recycled.
How might public
art like this change someone’s feelings and perceptions about a
familiar place, like a park? What is different in the purpose of an
art work like this with an “expiration date” and a painting that will
live on in a museum for a hundred years?
The following are Word documents
for each worksheet used in this project. Please right click the
link and "Save Target As..." in your documents, open MS Word and open
the document. You can then type in your answers and save it to
print out for your teachers. You can also copy/paste the
worksheets' information since all three are posted below the bulleted
links:
Summer Learning Experience
–
Journeys
Report
Form to be used with 2nd book chosen from the list
{This form may
be completed on the computer or printed out and filled in by hand.
Please bring it to school on the first full day for all classes in
September, 2008.}
Your Name_______________________________________
I read the book__________________________________
by_____________________________________
1.
Identify
and Describe two of the main characters in this story:
2.
What do you see as the conflict in the story and how is it resolved?
3.
Describe the element of journey in the book and talk about an
important effect it had on one of the characters. (If you don’t think
there was an element of journey in the text, tell why…)
4.
One thing I really liked about this book was … (e.g. imagery,
dialogue, style, characters, etc.)

Report form to
be use with Film chosen from choice list
Your Name_______________________________________
I watched the
film_____________________________ director_____
___________
1.
Identify and describe two of the main characters in the film …
2.
What is the conflict in the film and how is it resolved?
3.
Describe the element of journey in the film and talk about an
important effect it had on one of the characters (If you don’t think
there was an element of journey in the film, tell why…)
4.
The best part of this film was when...
Music
Worksheet
Report form to
be use with Music chosen:
Your Name_______________________________________
I listened to
the song: ________________________________By: _____________________________
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The style of
music is considered (ex: rock, country, pop…)
-
My favorite
line or image from the song was… and it struck me because…
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I see the
connection to journeys because…
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